Showing posts with label Eloquence and Espionage. Show all posts
Showing posts with label Eloquence and Espionage. Show all posts

Friday, April 26, 2019

Fashions in Re-Covering


I don’t know about you, but I love Marissa’s fashion posts. It’s fun to see how things changed over the course of the nineteenth century. But clothing isn’t the only thing that changes with time. What’s popular in book covers also changes over the years. That’s one of the reasons I decided to update the covers on my Lady Emily Capers. So, join me on a walk down memory lane. 😊

Secrets and Sensibilities was originally published by Kensington as a traditional Regency romance. I’ve edited and rewritten parts since. Here was the first cover (and title--A Dangerous Dalliance).

Art and Artifice began life as La Petite Four (actually, it began life as Diary of a Duke’s Daughter, but my publisher Penguin Razor Bill didn’t care for that title). I heavily rewrote it after the rights were reverted. Here was the first cover (before the addition of a necklace on the young lady):


When I finished the series on my own, I had silhouette covers created for all five books. To me, they caught the campy fun of the stories and hinted of both mystery and romance. But it was terribly hard to find full silhouettes of ladies in Regency garb, so the looks vary from Georgian to Victorian and even beyond. And they didn’t really shout “If you’re a teen, you might enjoy these too!”







 So, I give you the new and improved covers for the Lady Emily Capers:


Secrets and Sensibilities was challenging for me, because, as I’ve mentioned, the character of Hannah Alexander was based on a dear friend who has since passed away. This model has Nancy’s sleek chocolate-colored hair, pale complexion, and big brown eyes.


Almost as challenging was finding the right Lady Emily for Art and Artifice. Emily describes her nose as pointy and her hair as occasionally frizzy. Difficult to find frizzy-haired models. 😊 But I liked the nose on this young lady.


Priscilla Tate in Ballrooms and Blackmail was easier—just look for the most gorgeous blonde I could find. I think she’d approve of the girly colors as well. (Much more so than Emily, who had apoplexy about her original pink cover.)


Ariadne Courdebas in Eloquence and Espionage took a bit of work. She is the plumpest of the young ladies, and the most well-read. I liked the intelligence in this young lady’s face as well as the smoky background my cover artist used.


Ah, her sister Daphne! How to portray our Amazon in Love and Larceny? This model had a nice “girl next door” look that worked for the most athletic of the group.

So, what do you think? Did my cover artist, the talented Kim Killion, capture the characters the way you imagined them?

Friday, June 26, 2015

Waxing Eloquent about Eloquence and Espionage

Sometimes, your heroine takes over the book.

When I first started writing the Lady Emily Capers (and didn’t realize that’s what I was doing), I made Ariadne Courdebas the girl who perpetually has her nose in a book and her hand on the dessert. The first book in the series, now titled Secrets and Sensibilities, was published before I had read any of the Harry Potter series, but I certainly recognized Hermione Granger as a kindred spirit. So with Ariadne’s love for all things literary, it wasn’t surprising that her character had a great deal to say in, Eloquence and Espionage, which launched on June 22. Take the moment she met the man of her dreams:

Ariadne would always remember the moment her life changed. She’d been with her dear friend, Priscilla Tate, whose betrothal to the Duke of Rottenford was to be announced that very night. Such a momentous occasion would have been cause for celebration, but for two things: Priscilla had decided she loved someone else, no less than the duke’s personal secretary, and someone had been blackmailing her with vague threats of dire consequences. Quite clichéd, actually. Ariadne would have added more specifics: demands for her family jewels, perhaps an order to walk naked past St. George’s Hanover Square on Sunday morning. Still, even with unimaginative threats, it had taken the combined forces of Ariadne’s older sister Daphne, Priscilla, and their acknowledged leader Lady Emily Southwell to uncover the culprits and bring them to justice.

But that night, while trying to outwit their nemeses, Ariadne had noticed a gentleman following her and Priscilla. He was tall and broad-shouldered, and he carried himself like a celebrated thespian, full of brash confidence and bravado. He’d been dressed like a Roman centurion, hair black as midnight streaming down to his shoulders and face hidden by a dark leather mask. And Ariadne had offered to distract him so Priscilla could make her escape and save the day.

He’d been standing at the top of the stairs where a balcony braced His Grace’s massive ballroom. Ariadne had approached cautiously, trying to conceive of the appropriate opening gambit in this sort of situation. Priscilla was the one gifted with the ability to sway a gentleman’s thoughts. Of course, it didn’t hurt that she had long curly hair of a lustrous gold, green eyes bright as emeralds, and considerable curves that she dressed to accentuate.

Ariadne was not so blessed. Her straight hair was merely light brown, and she generally wore it in a bun at the top of her head with a few contrived curls framing her round face. That night, she’d worn it undressed and flowing down her back, in keeping with the white diaphanous silk robes and laurel wreath that made up her costume of Athena, goddess of wisdom. Her eyes were an ordinary blue that was not dark enough to be termed sapphire or bright enough to be called cornflower. And her figure, to her ongoing consternation, tended to look more plump than perfect.

Had she been cast in one of Mr. Sheridan’s wonderful plays, she would likely have been the understudy to a minor character. So she thought it particularly bold of her to sashay up to the powerfully built centurion and say, “Have you no legions to lead that you must chase after us, sir?”

He was surveying the ballroom, bare arms crossed over his bronze breastplate, scarlet cloak draping his back, quite as if he had not noticed her approaching. Now his gaze swung to meet hers. The mask shadowed his eyes, but she thought they were dark, brooding.

Quite suitable, actually.

“And how could a gentleman fail to follow where beauty leads?” he countered with a practiced drawl. The perfection of it sent gooseflesh up inside her long white evening gloves.

“Yes, my friend is particularly lovely,” she acknowledged with a smile. “I would offer to introduce you, but she is promised to another, I fear.”

He straightened, raising his head above hers and making her feel surprisingly petite. “Why would you think I meant your friend?”

His Grace’s elegant ballroom was terribly warm from all the bodies crushed inside it, but she didn’t think its coziness was making her face feel as if she were on fire. For a moment, she couldn’t think of a thing to say. That was generally the case with her and boys. She remained tongue-tied; they tended too often to speak of unimportant matters such as horses and carriages and hunting.

As if he knew how his words had affected her, he leaned closer, raising his hand to touch her cheek below her mask with tender fingers, and she found herself trembling.

“You do not give yourself enough credit, my dear,” he murmured, and her breath hitched in her chest. “I imagine entire legions would march to the ends of the earth at one word from those pearly lips.”

Her nerves evaporated. Ariadne sighed. “Oh, and you were doing so well. My lips are not pearly, sir. No woman would appreciate that compliment. Who wants to think of her lips as white and round?”

His fingers touched her lips, soft as a feather, then withdrew. “I meant because they are delectably plump.”

Ariadne rolled her eyes. “Plump? I cannot think why I would approve of that adjective being applied to any part of my person.”

He straightened. “So you are proof against seduction.” She thought he sounded disappointed.

“I am proof against poor imagery,” she replied. “Syntax too. And don’t get me started on misplaced modifiers.”


Ariadne may be proof against poor imagery, but will she truly prove immune to the charm of her centurion? Find out in Eloquence and Espionage, on sale now from

Smashwords

And be advised, Marissa and I intend to spend next week being less than eloquent, as in we will be off celebrating with our families. Look for the next post on July 7.

Friday, June 12, 2015

The Shocking Truth About Almack's

We’ve talked before about the magical Season in London, when a young lady made her debut in polite society for the first time. Once you were “out,” you could attend balls, hold parties at your own house, and, if you were lucky, visit Almack’s. I recently had cause to dig a little deeper into the workings of the mighty club, and I was a little surprised at what I found.

Almack’s, as we’ve also discussed, was that bastion of society often referred to as the Marriage Mart. A club dictated by women was a novelty in a society that still largely catered to the gentleman. The lady patronesses of Almack’s determined who was allowed to attend each ball held on Wednesday nights during the Season.

What surprised me was the entire process. As gleaned from various sources, some of which are not first-hand, it seems that when a mama knew she was bringing her daughter to London for the Season, she might write to a patroness and request vouchers in advance. The patronesses thus had a pretty good idea of who was going to be out and about that year. But no patroness would issue vouchers unless she visited the prospective attendee or otherwise knew that young lady personally. Then the patronesses met together and discussed potential candidates.

Wouldn’t you have liked to be a fly on the wall at one of those meetings.

“I met with Miss Charming this week. She is utterly delightful. We must have her.”

“Tsk—not a bit of it! Her mother is a harridan, and I cannot like her wardrobe.”

“Oh. Pity. What about Miss Newvoriche? She is polite above all things.”

Shudder. “No. Her grandfather was a coal merchant.”

Gasp! 

And it wasn’t just the ladies who waited with great trepidation to hear whether they had been chosen. Men too had to be issued vouchers to attend. And attendance could still be denied even after you’d received vouchers if your behavior was found lacking for any reason.

There also appears to have been some sort of rule on the number of people in a single family who could be granted vouchers. Some sources say two; others three. Vouchers were non-transferrable, meaning that if you couldn’t go one week you couldn’t just hand your ticket to another person.

I couldn’t help wondering what would happen in a family with two daughters on the ton in one year and a socially astute mother. Which daughter would be denied tickets? How would that make her feel? What might she do to convince the patronesses to change their minds?

Particularly when attending Almack’s meant everything, even catching a French spy.

Dropping hints? Guilty. Stay tuned, because later this month, I’ll tell you more about what Ariadne Courdebas did to earn tickets to Almack’s after Eloquence and Espionage, Book 4 in my Lady Emily Capers, debuts on June 22.