
The cover is a very sturdy paper, and features a logo of the Three Graces (this changed over the years—issues in its early years had an Egyptian-inspired design) and some hints of the treats within: a portrait of Lady Elizabeth Belgrave as well as two full-color prints of “female fashions.” We can see by this year (1825) that founder John Bell was no longer publishing La Belle Assemblée; rather, George Whittaker was at the helm, and had been since 1823. The back cover features advertisements of new-released books, and ads for the New British Library and Reading Rooms in Cheapside and for marble chimney-pieces (but very superior chimney-pieces, as the purveyor held a royal warrant.) The inside covers feature books published and/or printed by Mr. Whittaker.

The interior is of a lighter-weight but still very sturdy paper; most of the pages are still sewn in place, though a few signatures have come loose. The table of contents features stories, essays factual (Contemporary Poets and Writers of Fiction, No.1—a serial, no less) and humorous (Christmas in the Country), pages of original poetry, a section of fashion (and the featured fashion prints, this month an Evening Dress and a Morning Visiting Dress, complete with the protective piece of tissue paper between them, as can be seen above), and a sort of round-up of reviews and commentary on newly-published books, music, drama, and art as well as of “Literary and Scientific Intelligence”, in which we learn that Mr. Matthew Clarke was awarded an exclusive patent by the tsar to erect gas lighting in Russia (wow--that's a big contract!), and that a mummy unwrapping was held at the Bristol Institution. There’s an advertising supplement too, but I think I’ll save that for a future post because there are some wonderful ads in it.

1 comment:
ooh lucky! Thanks for sharing!
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