Tuesday, July 17, 2018

Off to Denver!

Not much to say from me and Regina this week. Like about 2000 other writers, we're off to Denver, Colorado for the Romance Writers of America's annual National Conference. We’ll be attending workshops on everything to do with the writing biz, from craft to business to maintaining health while parked in front of a computer for long periods of time (a definite occupational hazard.) We'll be seeing old friends and making new ones...but most important of all, we’ll be seeing each other! It’s not easy to see one of your dearest friends only once a year, but we manage to cram a lot of talking into the 4 ½ or so days we have together.
Stay tuned till next week, when we’ll have a full report. And now, I had better go finish packing because I’m outta here bright and early...

Friday, July 13, 2018

Don’t be Envious: Never Envy an Earl


Surprise! The third book in the Fortune’s Brides series, which was to be an August release, is out now. Because I could. There’s definitely something to be said for self-publishing. 😊

The saucy Yvette de Maupassant is used to danger. She’s spent the last 10 years spying for England in Napoleon’s court. Now that her work has been discovered, she must hide, and what better place than the remote wooded estate of the Earl of Carrolton? Her friend Miss Thorn and that delightful cat Fortune place her in a position where she can pretend to be companion to the earl’s sickly mother. Yet one look at the earl has Yvette rethinking why she wants to stay.

Gregory, Earl of Carrolton, is used to power. So why does one moment in the company of his mother and spinster sister leave him feeling powerless? And why does the look in a certain Frenchwoman’s eyes leave him weak at the knees? As danger draws closer, Gregory and Yvette must work together to protect her, his family, and the future of England, as they discover the greatest danger and delight is falling in love.

Here’s a little taste:

Gregory ventured into the chamber. He’d worked with his interior designer to make each of the one hundred rooms in Carrolton Park unique. This one had been inspired by spring, with sunny yellow walls, bed hangings patterned in jonquils and tulips, with matching fabric on the curved back chairs. The cornice of the bed and above each doorway was crowned with a gilded sun, its rays beaming out.

Against all that cheer, his mother, dressed in one of the black, lace-encrusted gowns she favored, looked a bit like a raven. Beside her tall, elegant frame, Yvette de Maupassant resembled a china doll.

And that hair! Cut as short as that of the infamous Caro Lamb, it curled about her piquant face in wild abandon. He could imagine running his fingers through the locks, silk springing beneath his touch.

He shook away the thought. Harry’s note, which had accompanied Lord Hastings’, indicated Gregory’s friend had rescued her from a prison house after her espionage had been discovered. For all Gregory knew, her captors had cut her hair to shame her. He should not find the look so appealing.

“Gregory!” His mother smiled at him, wrinkles crinkling around her pale eyes as she raised her ebony-headed cane. “You came to see me!”

She made it sound a rarity for all he tried to check on her at least once a day besides dinner when he was in residence.

“Mother,” he said, going to kiss her cheek. “You look busy.”

“Very,” she assured him, waving away the cream-colored linens a maid offered. “The blue, I said. I was very specific. Why do you all fail to listen?”

“They are doing splendidly,” Yvette corrected her. “See how nicely the blue complements the gold? And cream lace on the pillow cases—so inspired!”

The maid bobbed a curtsey, blushing at the praise.

He left his mother directing another servant in the making of the bed and drew Yvette aside.

“I must apologize,” he murmured, feeling like a hulking brute beside her. “I didn’t know Mother had subjected her previous companion to sleeping on a cot.”

She waved her hand. “It was easily remedied.”

The bustling about him did not look easy. And he could not like the way the room’s layout was being changed before his eyes. That black walnut trunk with the battered sides threw off the entire scheme. He looked to Marbury, who immediately came to him.

“My lord?” he asked.

“There’s a maple wardrobe in the north wing,” Gregory told him. “Have two of the footmen bring it here and remove that walnut monstrosity.”

He inclined his head. “At once, my lord.”

Yvette chuckled, the sound tickling him. “Monstrosity, he says. I am fortunate to even possess that.”

Gregory kept his chin up. “And while you are here I am determined that you will be surrounded by beauty, Miss…French.”

She laughed again. “You must practice, my lord. I am a poor companion, the lowly Miss French.” She fluttered her lashes in his direction.

“Perhaps you should practice,” he said with a smile. “You look and act nothing like a lowly companion.”

She made a moue. “But I am doing my best.”

“French!”

At his mother’s demand, Yvette hurried away from him. The sunny room seemed to dim. Once more he shook himself. What, had he been flirting? He was surprised he even knew how. She made every thought, every act, seem natural.

His mother may have taken the lead in redecorating, but he was fairly sure there was only one leader in the room, and that was clearly Yvette. Somehow, he thought Carrolton Park would never be the same.

The e-book is available at fine online retailers and the print book through Amazon:

Kobo 

Because only a matchmaking cat can hunt true love.

Tuesday, July 10, 2018

Between Silk and Sand...the Movie?


Well, a girl can dream, can't she? ☺

It may not be a movie, but I do have a book teaser video for my upcoming YA fantasy, Between Silk and Sand, that I'd love to share.



What do you think? This was enormous fun to make--looking for just the right image of my hero was the best part (and isn't he adorable?) Looking for other images to communicate the story and mood was a challenge at time, but also a lot of fun...and listening to dozens and dozens of music clips was as well. I hope it will inspire you to pick the book up when it comes out on July 31 (and it's available for pre-order now on Amazon, Kobo, Barnes and Noble, iBooks, and GooglePlay, if you don't want to forget.)

Enjoy! And feel free to share!

Friday, June 29, 2018

A Real Foul Ness


When I was researching locations for Never Borrow a Baronet, I wanted a remote place on the Essex coast, which could have been used by smugglers. My hero, Sir Harry Atwood, fights a family reputation for dark deeds, so any history that aligned with villainy would have been most welcome as well. But what I stumbled upon exceeded even my hopes.


Foulness Island.

Foulness Island is a low-lying area on the east coast of Essex, cut off from the mainland by creeks and marshes that were once used by smugglers. (I raised Sir Harry’s home, Foulness Manor, and the mythical village of Foulness considerably higher in the book.) The name relates to a nesting area for waterfowl, today, most notably, a long-legged, black and white seabird called the avocet. Unless you had a boat, the only access to the island was via a track called the Broomway.


The Broomway runs out from the mainland across the treacherous Maplin Sands, mud flats that are completely submerged on high tide. From the picture, it appears wagons once braved the path, which was marked by brooms driven in on either side. Legend, and even current warning signs along the path, would have it that the tide comes in faster than a person can run. Heavy fog and sea mist compound the problem and make it even easier to lose your way. The Broomway is credited with at least 100 deaths over the years.

During the Regency period, Foulness Island boasted a post office, a store, and a church. The Church of England built a school in 1846, when the island had a population of 674, 120 of them children. One of the most popular spots on the island was the George and Dragon Pub, which hosted bare-knuckle brawls. The island itself was renowned as a home for outlaws and villainy, including wrecking, purposely leading ships in to land to wreck upon rocks so you could seize the cargo.

Foulness Island has yet to give up all its secrets. The land was purchased during World War I by the UK Ministry of Defence, which has conducted a number of tests, from the usual explosives to things atomic. The island is still only accessible through permit. Signs in the area warn travelers not to pick up anything, because it might go off!

May you get real bang out of your Fourth of July! Marissa and I will be off next week celebrating. See you the week of July 9th.

Tuesday, June 26, 2018

Regency Fabrics, Part 20

Regency Fabrics, Part 20

Here’s another post in our ongoing series on Regency fabrics.

As I have in previous posts, I’ll be examining actual fabric samples glued into several earlier editions of Ackermann’s Repository, samples supplied by the manufacturers and published by Ackermann in order to boost the British cloth-making industry at a time when exporting British goods to Europe was almost impossible because of the Napoleonic war. I'll give you a close-up scan of each sample, the published description if available, and my own observations of the color, weight, condition, and similarity to present-day materials, to give you as close a picture as possible of what these fabrics are like.


Today’s four samples are from the August 1811 issue of Ackermann’s Repository. The overall condition of my copy is good: the page itself is most free of foxing and toning, though one of the samples is a little worse for the two hundred plus years since it was woven, and two have lost their color to a greater or lesser degree.

Here we go!

No. 1. A royal regency leno, for evening or full dress, calculated for the Turkish robes and Roman tunics now so fashionable in elegant circles. It should be worn over white satin, or sarsnet; and embellished with ornaments of pearl, diamonds, white cornelian, or the satin bead. This elegant article is furnished by Harris, Moody, and Co. Pall-Mall.


My comments: This is an attractively airy net style of fabric, elaborately woven of lovely silky thread in dark green, yellow, and dusty pink. While it’s mostly made of air, the style of weaving and heft to the threads gives it some weight. I do wish more Ackermann prints showed dresses made from the fabrics they advertised; it would be most instructive to see just what was done with a fabric like this, worn over white satin. I think I would have been terrified of catching it on jewelry or on something else and tearing the you-know-what out of it.

No. 2. A dove-coloured imperial gauze, adapted for the same order of costume, and to which the same jewellery ornaments are appropriate. Trimmings of fine lace, with decorations of wreaths and bouquets for the hair and bosom, are also becoming appendages to this neat and elegant article, which is furnished by Messrs. Coopers, Pall-Mall.


My comments: Another woven net, this time of all one color. This one feels a little less substantial than the first, despite its greater opacity. It would be charming as an overdress; I wonder if it was made up with the stripes oriented in the vertical or horizontal?

No. 3. A celestial blue penciled muslin, adapted for the intermediate order of dress. It is either made high, with a trimming of narrow lace round the throat, or formed in a low square bosom, finished with white embossed satin ribbon. With each the long sleeve is to be preferred, in this as in most other muslin articles.


My comments: Um...celestial blue? This sample has clearly suffered; the dye is gone, though the feathery little random pattern printed on has survived...and after a quick look around on the interwebz, mine is not the only one to have suffered. It’s not easy to say much about it as it seems to have been glued entirely down on the page, but it is a very loosely (if evenly) woven fabric.

No. 4. A pink muslin, with embossed green spot. This animated article is confined to the more youthful females, to whom it is most becomingly adapted. It should invariably be worn over white sarsnet, fine glazed cambric, or satin; and should be formed in the most plain and simple manner. No jewellery ornaments but white can be admitted to blend with this material, nor any but white flowers to be worn in the hair.

The last two articles are furnished by Messrs. T. and J. Smith, 43, Tavistock-street, Covent Garden.


My comments: Oh my goodness, more polka dots! Interesting that this fabric is only recommended for young women... The dots have faded to a not-very-attractive khaki brown, and look almost applied—as if someone plopped little blobs of paint onto the fabric at regular intervals. Like number three, this is a very open-weave muslin, but the threads are of fine, uniform gauge. I suspect the pink may have once been more intense, not the pale dusty pink of today.  This must have once been a very cheerful sort of “article.”

Any thoughts on this month’s fabrics?


Friday, June 22, 2018

Interview: Meredith Thorn of the Fortune Employment Agency

I am pleased to have with us today Miss Meredith Thorn of the Fortune Employment Agency. The raven-haired, lavender-eyed Miss Thorn recently featured in my Never Doubt a Duke and Never Borrow a Baronet and will shortly be involved in Never Envy an Earl. She and her beloved pet Fortune consented to sit for a brief interview. Welcome, Miss Thorn and Fortune.

Miss T: A pleasure.

Fortune consents to have the top of her head rubbed.

19T: A lady of your breeding generally doesn’t trouble herself with matters of trade. What led you to start the Fortune Employment Agency?

Miss T: I observed that many young women ended up going into service, of a sort—governesses, companions, teachers, and the like. In some cases, they were well treated, becoming cherished members of the family or the institution they served. In others, their lives became nothing short of drudgery, with little hope of change. I determined to change that.

19T: There are other employment agencies. Why is yours special?

Fortune pulls away to regard me as if I have suddenly forgotten something important.

Miss T: The Fortune Employment Agency is special because Fortune and I take great care in matching the situation to a lady’s particular needs. For example, Jane Kimball had lost her husband in battle, and with him any chance of having a family. I introduced her into a household where she had every opportunity to find a family of her own.

19T: Yes, I understand she’s shortly to be married. I received the invitation just the other day. A duke, no less.

Miss T, smiling: Yes, quite.

Fortune seems to be smiling as well.

19T: Why did you name your agency after your cat?

Miss T, turning her smile on the gray cat, who gazes back with copper-colored eyes: I’ve found Fortune to be very wise when it comes to determining the character of a lady and a gentleman.

19T: More skilled than you?

Miss T: Decidedly so. My discernment has failed once or twice, with disastrous results. Fortune’s never fails.

19T: Never?

Fortune turns her back on me.

Miss T: Not that I have found. She picked the Duke of Wey for Jane and Sir Harry Atwood for Patience. And she was quite fond of the Earl of Carrolton.

19T: Oh, who has Fortune matched to the earl?

Miss T: I am not at liberty to say.

19T: Fine. Then let’s talk further about you. You take your duty quite seriously, I see. Did you have a difficult time in service yourself?

Miss T, adjusting the lace at the cuffs of her lavender gown: Something like that.

19T: And has Fortune matched you with a gentleman?

Fortune: Meow!

Miss T: Now, now, none of that. I’m merely considering the matter. He has a long way to go to prove himself to me after how we parted.

19T: Do tell!

Miss T: I really should be going. Perhaps another time.

So, it seems Miss Thorn still has a few secrets she will not share. Never fear, dear reader, we will unearth them.

And so can you, in Never Borrow a Baronet. Here are the links one last time:

Tuesday, June 19, 2018

Borrowing a Baronet


As many of you know, my publisher, Love Inspired, is closing its historical line as of this month. I’ve known for about a year. So, while my agent has been shopping for a new publisher for me (this can be a loooong, drawn-out process!), I started writing my Fortune’s Brides series with the intent of bringing out the first three quickly.

As in monthly.

This is a first for me, and so far readers seem to be happy about it. Therefore, I give you the publication last week of the second book in the series, Never Borrow a Baronet!

After caring for a crotchety countess, Patience Ramsey wants a more purposeful position. So, when Miss Thorn of the Fortune Employment Agency offers her the post of assistant to amateur apothecary Augusta Orwell, Patience jumps at the chance. Then her new employer introduces her at an Easter house party as the bride-to-be of her nephew Sir Harold Orwell. Miss Thorn’s cat Fortune may approve of Sir Harry, but Patience has no interest in borrowing the handsome baronet. She’s had her heart trampled on by false promises before.

Sir Harry has enough on his hands trying to restore the family name while spying for the English against the French. But the pretty Patience could cover for him when he must ply his trade during the house party, so he convinces her to agree to the charade. As Harry’s work brings danger closer, he begins to realize Patience embodies everything he could want in a wife. Can he convince her to overlook the scandals surrounding him and exchange their false engagement for a true love?

If you have read Never Doubt a Duke, you may remember Patience as the friend of heroine Jane Kimball. I’m delighted to give the practical companion her own book, and with a particularly dashing hero. Here’s a little taste:

Patience gripped the coal shuttle. She couldn’t doubt the intruder’s words. Even in the dim light, she could make out the features of Sir Harold Orwell. His hair was even more mussed than in the portrait, and that square chin was more solid. He wore no cravat and seemed to be holding one arm slightly behind him. Still, to blunder in through the window? Surely even in this unusual household that should be considered odd.

Perhaps it was the lateness of the hour or the ruse she had agreed to perpetrate against her better judgment, but she had no trouble stating her opinion this time.

“Your aunt assigned me to this room,” she informed her visitor. “Had you consulted her first, you might have saved yourself the trouble of climbing in the window.”

“Ah, but I chose to climb through the window to prevent having that discussion with my aunt.” He had the audacity to wink at her. “A gentleman never kisses and tells, you know.”

So, that was it. He’d been out cavorting and didn’t want Gussie to learn the truth. Disappointment bit sharply.

“Be that as it may,” she told him, “I’m certain since you were raised in this house you could find another suitable bedchamber far sooner than I could. See yourself out, sir.”

“Happy to oblige, madam,” he said with a lopsided bow that likely spoke of the state of his sobriety. “Once I locate a change of clothes.”

He started for the wardrobe on the far wall, and Patience took a step closer, shuttle up against her shoulder.

“You’ll find no suitable clothes in here,” she informed him. “Mr. Cuddlestone moved your things elsewhere.”

He jerked to a stop, and she clutched the shuttle tighter. How was she to know whether he was the sort to accost the servants, or a lady he probably thought was one of his aunt’s guests? She had never met anyone who took liberties while inebriated, but her friend Jane had been discharged from her previous post because of a master who had lost his head.

But as he stopped and turned to face her, the arm he had tried so hard to hide came into view, wrapped in a cloth stained red.

With blood.

Patience gasped, and the shuttle slipped from her fingers to clang against the floor. “Your arm. You’ve been injured.”

He glanced down at the makeshift bandage as if surprised to find it affixed to him. “Yes, it appears so. Hence the need for a change of clothes.”

Patience shook her head. “That requires tending. It will turn septic if you don’t take a care.”

He eyed her a moment. “Who are you, exactly?”

She bobbed a curtsey, feeling her cheeks heat. “Patience Ramsey, your aunt’s new assistant.”

He reared back. “I will not allow Gussie’s preparations on my person.”

Patience raised her brows. “Are they so horrid?”

“You’ll have to ask the previous assistant. I believe she finally regained the use of her fingers, but I expect that rash will last for some time.”

Patience swallowed, then noticed the gleam in those blue eyes. “You’re making fun of me.”

“Never, madam,” he assured her. “But I can tend to my own wounds.”

“One-handed? Or have you a manservant you can enlist?”

That seemed to stop him. She could almost see the thoughts flying behind his eyes. If he didn’t want his aunt to know of his midnight prowl, perhaps he didn’t want the servants to know either. But, of course, someone would notice the ruined coat. Just like the master not to think of that.

“Very well,” he allowed, going to perch on the chair near the fire. “I would appreciate your assistance, Miss Ramsey. Thank you.”

So meek. She didn’t trust him for an instant.

You can find Never Borrow a Baronet as an ebook through fine retailers and in print from Amazon:

Kobo 

Friday, June 15, 2018

Nineteenth Century Dream House


For my Fortune’s Brides series, I’m having to research various types of English houses . I’ve certainly researched the workings of a great house over the years. This time, however, I went looking for exterior pictures to inspire.

Alaric, Duke of Wey, in Never Doubt a Duke lives in a quasi-castle along the Thames in Sussex. I wanted labyrinthine, imposing. Something like this.


Sir Harry Atwood in Never Borrow a Baronet lives in a quaint cottage overlooking the sea in Essex. I wanted cozy, quirky. This was a candidate.


The Earl of Carrolton in Never Envy an Earl lives on a wooded estate in a massive house he helped design in southern Sussex. I wanted elegant, original. I took Osterley Park as my example (more on that soon).


Frederick, Viscount Worth, in Never Vie for a Viscount owns two adjacent town houses on Clarendon Square north of Hyde Park in London, though he’s broken through the walls to connect the two. I wanted sophisticated, Spartan. This works perfectly.


I’ve been collecting more pictures of English county houses on my Pinterest page, 222 at the moment. Feel free to browse. I’m still trying to determine my favorite, but I’m leaning heavily toward Harry’s home. What about you?

Tuesday, June 12, 2018

The Children of George III: Elizabeth



The first year of the new decade saw the birth of George III’s seventh child and third daughter, Elizabeth, on May 22, 1770. Her birth would complete the elder trio of royal daughters who would share governesses and tutors and live in close contact with their parents—their younger sisters, born later, would form a separate trio and receive less attention...but let’s not get ahead of ourselves. (That's Elizabeth in the green dress at right, age about 12.)

This princess soon became known for two things: her girth, and her artistic abilities. She was a fat baby, and remained heavy all her life; indeed, in her sisters’ correspondence she is often referred to as “Fatima;” evidently she was especially rotund, even in a family known for its tendency to fleshiness. And while the queen had many talented tutors for her elder daughters and indeed spent much time herself with them in drawing, painting, etching, sculpting, and various other artistic pursuits, Elizabeth’s skill and devotion were noteworthy. When the queen purchased a “cottage” at Frogmore, near Windsor, Elizabeth took great pleasure in designing the extensive gardens, scattering gothic ruins, classical temples, and other architectural embellishments about. She was a talented silhouettist, cutting portrait profiles and entire scenes from paper without drawing them first, and illustrated several books. And after George III’s descent into madness, she purchased her own cottage at Windsor and gardened and painted to her heart’s content.

What did not content her was her single status. As he did for her sisters, George refused all suitors for Elizabeth, who longed for a husband and children. In 1808, the exiled Duc d’Orleans offered for her hand—a match she was eager to agree to, while there was still a possibility she could have children—but the queen made it abundantly clear that she would never allow her daughter to marry a Catholic. And so poor Elizabeth painted and drew and gardened, helped spoil her eldest brother’s daughter, Princess Charlotte, and grew ever stouter.

And then, much to her surprise, in 1818, she received a proposal. Frederick, the Hereditary Prince of the tiny German principality of Hesse-Homburg, wrote asking for her hand. It wasn’t a romantic proposal—the prospective bride was 48,  and he himself was a not-very-cultured military man of 49 with an extensive beard who smoked like a chimney. But Elizabeth would finally have a husband and a home of her own, and the chance to escape from under her mother’s thumb, for the queen had grown difficult with age, while Frederick would get the prestige of a British princess as his wife, not to mention her dowry, much needed in his impoverished state. The Prince Regent gave his blessing, and the queen, after doing her best to put the kibosh on the marriage, finally assented. And so Elizabeth and her husband, whom she nicknamed Bluff, were married at the Queen’s House on April 7. After a honeymoon on the Sussex coast, they left for Bluff’s home near Frankfurt—and a surprisingly warm and harmonious marriage. Elizabeth embraced her tiny new country and her husband’s family—he had several brothers—and jumped into renovating the family palace in Bad Homburg. The Prince’s father died in 1820, and so Bluff and Elizabeth became Landgrave and Landgravine.

Unfortunately, their time together was not long. Bluff died in 1829, leaving Elizabeth a widow. She remained dedicated to her adopted country, though, partnering with the new landgrave (Bluff's next youngest brother, Louis, with who she was on the best of terms) to build a spa at Bad Homberg to bring in tourism revenue; she also shared his interest in improving the principality’s schools. When Louis died in 1839, the heart seemed to go out of her; the next of Bluff's brothers to inherit, Phillip, didn't share Bluff and Louis’s interest in bettering his country. She died early in 1840, age 69, and is buried in Homberg

Friday, June 8, 2018

Nineteenth Century Heroines: Never Just Crewel


Lady Emily Southwell, the heroine in my Lady Emily Capers, dreams of being an artist. That was a nearly impossible goal for a young lady in nineteenth century England. Even the few female painters of the day were barely recognized by their peers, much less the public. That’s one of the reasons I was so delighted to discover a lady who not only spent her life as an artist but commanded the attention of royalty in several countries!

You would not have thought Mary Linwood would become an artist. Her father died when she was young, and her mother ended up starting a private girl’s school, where Mary would teach until a year before she died at the ripe old age of ninety. But Mary’s passion wasn’t teaching. Like many young ladies of that age, she embroidered. But what she embroidered surpassed nearly anything of its time.

You see, from the tender age of 13, Mary created “paintings” with her embroidery. By varying her stitches, she made each one look like a brush stroke. She used crewel wool on painted silk and copied old masters so well that one of her copies sold for more than the original!

She was toasted by the aristocracy, courted by royalty. Queen Charlotte invited her to Windsor to display her work. In 1803, Napoleon invited her to France, where he awarded her the Freedom of Paris for artistry. She displayed her paintings in Russia, met Catherine the Great and the Tsar. She amassed a collection of more than 100 pictures, many of which she displayed for years in a long gallery at Savile House on Leicester Square from 1809 to 1845. Charles Dickens even toured the place. She completed her final piece at age seventy-eight.

Quite a stitch in time.

If you’d like to see some of her paintings in detail, try the Story of Leicester website

Tuesday, June 5, 2018

Such Language! Part 20 (seriously!)


Another installment of colorful verbal shenanigans from the 1811 Dictionary of the Vulgar Tongue. Enjoy!

Article: A wench. A prime article; a handsome girl. She’s a prime article (Whip slang), she’s a devilish good piece, a hell of a goer.  (When my insufferable brother and his equally insufferable friends begin talking about the girls they see driving or riding in Rotten Row as prime articles, I have been known to lay about me with a riding crop.)

Grumble in the gizzard: To be secretly displeased about something. (My sister, on the other hand, smiles and laughs at them, but secretly I know she’s grumbling in her gizzard about it.)

Kidney: Disposition, principles, humour.  Of a strange kidney; of an odd or unaccountable humour. A man of a different kidney; a man of different principles. (As you might have guessed, my sister and I are of a very different kidney.)

Totty-headed: Giddy, hare-brained. (Totty-headed Clarice Smedley may be—she tends to promise to dance with twice as many gentleman as there are dances at any given ball—but she’s also exceedingly kind.)

Yam: to yam; to eat or stuff heartily. (Cousin John’s tendency to yam at all meals has made him the despair of my aunt and the favorite customer of his tailor.)

Maggotty: Whimsical, capricious. (Did you hear that Lady Smythe-Flittery had the maggoty idea of dyeing the champagne green at her first party of the season, as a way to celebrate the coming of spring?)

Flustered: Drunk. (Of course, everyone at her party was so flustered that I’m not even sure they noticed the verdant hue of the champagne they were guzzling...or no longer cared.)

Richard Snary:  A dictionary. A country lad, having been reproved for calling persons by their christian names, being sent by his master to borrow a dictionary, thought to shew his breeding by asking for a Richard Snary. (No more from me--I don’t think I can top that!)

Friday, June 1, 2018

Cool 19th Century Places to Visit: Lakewold Gardens

This is closer to the 20th century than the 19th, but I recently had the pleasure of visiting this charming gem, and I thought you’d find it interesting.

In the late 1800s and early 1900s, the area around Lakewood, Washington, was considered a “retreat” for city dwellers in Tacoma and Seattle because of the many lakes. In 1908, avid gardener Emma Alexander bought a 5-acre plot of land along the shore of Gravelly Lake. She started building a summer cottage, with a garden around it using many native plants. After her son took over the property in 1918, he added an adjacent 5 acres. During his ownership, he also built a finer house and enlarged the gardens.

The estate passed through other hands before being purchased by George Corydon and Eulalie Wagner. The wealthy Corydon had his hand in lumber, investments, and coal, while his wife adored gardening. It was Eulalie who had the current house built along Palladian lines. The story goes, she wanted pink stone for the exterior and sent all the way to Tennessee for it. When it arrived, she promptly returned it because it wasn’t pink enough.

Eulalie also hired Thomas Church, a renowned landscape architect, to come redesign the gardens. He returned over the course of several summers to achieve her dream.

She and her husband entertained lavishly, with friends and family, including hosting weddings for their children. As the wife of a lumber executive, my grandmother remembered being invited to Christmas parties at Lakewold Gardens. I was struck by the many nineteenth century touches, like this sweeping staircase and black-and-white marble floors.


And silk wall coverings that date from the nineteenth century.



I thought the library particularly Regencyesque.


In 1987, Eulalie donated the house and gardens to a non-profit organization, asking that the gardens be maintained and opened to the public.

Lakewold Gardens is located at 12317 Gravelly Lake Drive SW. The gardens are open year-round, though closed a few holidays. Check the website at http://lakewoldgardens.org/ for details. The video below was created to celebrate all that Lakewold offers. I guarantee the place will grow on you. 😊



Tuesday, May 29, 2018

La Belle Indeed!


You all know by now how much I love me an Ackermann print...but there were periods during its long run that the fashion prints from La Belle Assemblée outshone even Mr. Ackermann’s wonderful fashion plates in terms of creativity of the depicted fashion and its presentation...and here’s a plate from one of those times.


Isn’t it gorgeous?

This is a Concert-Room Full Dress from the November 1809 issue (though the print is labeled December at the bottom.The accompanying text reads, A Polanese dress of green and yellow double twilled sarsnet,; worn over a drapery of rich white lace, with long sleeves; confined at the bosom, the waist, and on the arms by topaz brooches; ornamented with silver trimming and tassels; a body and train of yellow satin. A Grecian head-dress, composed of silver spangled crape and white satin, marked off at the crown by a wreath of green foil, and finished on the left side with a silver cord and tassels, worn with two white ostrich feathers tipped with green. Topaz necklace and earrings. Shoes and gloves of pale yellow, white, or green. The hair in full short ringlet curls.

So we have our accomplished young woman (obviously her mama made sure she was educated in all the genteel arts) wearing a yellow satin under-dress, with an over-dress of lace, over which is the unusual green “Polanese” (we’re more familiar with the term “polonaise”, which means a gown with cutaways to show an underskirt, after the fashion of Polish traditional dress) with the topaz brooches holding it in place and, of course, the tassels (there’s one visible down near her hem as well as at her arms).

At least her arms seem mostly unencumbered—the close-fitting sleeves are most practical— though I think the feathers and long hanging tassel in the head-dress would get on my nerves were I trying to play an instrument. But I can’t deny that they lend a certain insouciance to the ensemble.

And—oh my word—the furniture! I think the engraver must have had great fun designing that harp and the marvelous music stand, with its lions’ feet, palm-tree column, and chubby cherub at the top—a somewhat feverish mixture of styles, but it can’t be denied that it’s picturesque.

What do you think of this ensemble? Can you see yourself wearing it? I do like the tassels... ☺

Friday, May 25, 2018

How Many Brides for Fortune?


Thank you to all those who have bought and reviewed and written me about Never Doubt a Duke and the new Fortune’s Brides series. I cannot tell you how gratified I am by your encouragement. One question keeps coming up: how many brides will Fortune arrange?

For those of you who haven’t read the first book or heard much about it yet, Fortune is a grey cat with a white blaze down her chest and copper-colored eyes. I picture her as a type of British shorthair.

Her owner, Meredith Thorn, runs the Fortune Employment Agency. Meredith has had some misfortunes of her own, and she doesn’t entirely trust her own judgement when it comes to people. But she trusts Fortune to know whether a gentleman is worthwhile pursuing as an employer.

Or a husband.

My current plan is to have Fortune involved with matching every level of title, though not necessarily in the order of precedence: prince, duke, marquess, earl, viscount, baron, baronet, and knight. If everything goes as planned, the first four books will be out this year:

  • Never Doubt a Duke, out now
  • Never Borrow a Baronet, available for preorder now
  • Never Envy an Earl, out in August
  • Never Vie for a Viscount, out in November.
Phew! Fortune is going to be one busy kitty.

If you have other questions about the series, please let me know, and I’ll be delighted to answer.

Tuesday, May 22, 2018

Never Doubt a Duke

Sounds like a good title for a blog post, doesn’t it? It’s also the title for my new release. This is one of those books of your heart. It has no publisher home (Edwards and Williams is my own imprint). It was blessed with a fabulous editor, a wonderful proofreader, and a talented cover artist. And now it’s out in the world.

After spending the last ten years following her late husband on campaign, the irrepressible Jane Kimball finds herself badly in need of a position to support herself. Marriage holds no appeal; she’s not likely to find a husband like her Jimmy again. But when Miss Thorn of the Fortune Employment Agency offers her a post with the Duke of Wey, Jane feels drawn to help the lonely widower with his three daughters. He may seem a bit aloof, but Miss Thorn’s cat Fortune approved of him. Why should Jane doubt a duke?

Alaric, Duke of Wey, commands his staff, his tenants, and the halls of Parliament, managing vast holdings in England and across the seas. Why is it he cannot manage his own daughters? As an old danger rears its head, he comes to rely on Jane’s practical nature, her outspoken ways to navigate the waters of fatherhood. And when necessity dictates he take a wife, thoughts turn to an unlikely governess who might make the perfect bride.

Here’s a little taste:

Jane Kimball was the only person in the schoolroom as the duke and his butler entered. She was standing by the worktable, wiping a slate with a cloth.

“Everything all right?” Alaric asked.

As if the butler expected a confrontation, he faded into the background.

Mrs. Kimball glanced up at Alaric. “Lessons have been cancelled by a fit of pique. I had the effrontery to introduce arithmetic. Her Grace is consoling them with tea and cakes.”

She didn’t seem angry, though she certainly had a right to be. In fact, she seemed a bit downcast. Her dark eyes were shadowed, and her usually upright frame slumped. He moved farther into the room.

“I approved of the introduction of that subject,” he reminded her.

“You did. And I said I’d deal with Her Grace. I failed, at least for now.” A smile crept into view. “Don’t worry, Your Grace. This is no more than a skirmish. I refuse to surrender so soon in the engagement.”

She could not know the armament arrayed against her. No one bested his mother. His father had chosen his bride well. His mother wore the dignity and grace of a duchess like a coronation robe and exerted her power as a scepter.

“Focus on the girls,” he advised. “They are your calling.”

She stacked the slate with two others. “If only I could convince Lady Larissa that there is more to life than her come out.”

He pressed a hand to his chest in mock dismay. “No! How can you possibly say so?”

Her mouth twitched. “Perhaps because I’ve lived so much longer than she has.”

“Yes, I can see that you are ancient.”

She gave it up and grinned. “Takes one to know one, Your Grace.”

No one talked to him the way she did. He liked it. But as he grinned back, she sobered.

“Truly, if she has the idea that the only thing of any importance in her life is her come out, what has she to look forward to beyond it? If that is the best she has to experience, I feel very sad for her future.”

Put that way, so did he. “A come out is an important event, but I wouldn’t want her to focus on it to the exclusion of all else.”

“Too late,” she said. “But we may be able to get through to her.”

We? How surprising to meet someone who assumed he had a part in his daughter’s lives. His late wife Evangeline had held them close, convinced him it was in their best interests. His mother had stepped smoothly into the void his wife had left. With his father held up as the very essence of a duke, he had attempted to fill the same role. He had never questioned his duty.

Perhaps I should.

Dangerous thought. The House of Wey was built on centuries of tradition. Every role, every action was codified in the hearts and minds of his family, his staff, his tenants. He had been proud to step into his father’s shoes, for all he wondered about his ability to fill them. Perhaps that’s why he hadn’t argued against his arranged marriage to Evangeline. A duke’s daughter herself, she’d known exactly how to fit into his world. At times, her rigid adherence to tradition had eclipsed his own.

But she was gone now. And nothing he’d tried so far has helped his daughters.

He offered Mrs. Kimball his arm. “What say we make the first attempt at persuasion now?”

She stared at him. “It was fairly clear I wasn’t invited to tea.”

“Neither was I,” he said. “But they are my daughters, and they are your responsibility. It’s time we made that clear.”

She regarded him a moment more, then came to lay her hand on his arm. “Right beside you, Your Grace.”

Why did he have the feeling that was right where she belonged?

You can find Never Doubt a Duke in ebook at online retailers, with print available through Amazon:

Amazon   
Kobo 

Friday, May 18, 2018

Dressing the Bride, 19th Century Style


This weekend will see a royal wedding. I wasn’t invited. That’s okay. I’m too busy writing. But in case you’re in the mood for weddings, I thought you might enjoy a few nineteenth century wedding gowns to ogle.

The one on the right dates from around 1816. Love the clumps of roses along her hem, and isn’t the headdress lovely?

Here's 1824. Love the shine of the material and the way the leaves above are echoed below.


Ah, 1827. Seems crimping was in—the hair, the collar, the sleeves. Not sure I’d wear this one.


About ten years later. Less crimping. Love the graceful collar.


Early 1840s. Simple and elegant, but I can’t decide if the color is on purpose or darkened with time. It is a museum piece, so I’m thinking the apricot was a choice.


1850s. Love this one—the embroidery, the train. I’d wear it in a heartbeat.


1860s, and a royal wedding! This is Princess Alexandra of Denmark.


1870s. Ah, the crimping is back. But I like this one. So sleek and so fussy at the same time!


1880s. Yards of material and very fluffy. Can’t decide.


Finally, 1892, fitted design and tons of lace.


Which is your favorite?

Tuesday, May 15, 2018

Newer Additions to My Collection 1813, Part 2

More eye candy from my collection, featuring the second half of 1813. Soooo pretty!

June’s Promenade Dress is “A plain morning gown, of fine cambric or jaconot muslin, with long sleeves, and front cut low at the bosom, appliquéd with lace; a shirt of the same, with a full gathered frill round the throat. A Pomeranian mantle of jonquille satin, trimmed round with a deep white lace. A provincial bonnet, composed of jonquille satin and Chinese cord, confined under the chin, and ornamented on one side with corresponding ribband, a cluster of flowers on the other. A sash of jonquille ribband, tied in front of the waist. Gloves and half-boots of pale lilac or jonquille kid. Parasol either white or pale lilac.” However, I confess to being a little perplexed by this description, as the mantle depicted is blue while “jonquille” is  yellow. A miscommunication between the magazine and the colorists?


Love this Ball Dress, also from June’s issue! “A Grecian round robe, of lilac or apple-blossom crape, worn over a white satin petticoat. A satin bodice, the colour of the robe, ornamented with white beads and drops, à la militaire; the same continued down the front of the dress; short Circassian sleeves, with similar ornaments; a deep Vandyke trimming of lace, or lilac Angola silk, round the bottom of the robe. An Indian turban, of silver frosted crape, decorated with pearl or white beads; and a bunch of spring flowers beneath, blending with the hair over the left eyebrow. A necklace and locket of large pearl, or the satin bead. Ear-rings and bracelets en suite. White satin slippers, trimmed with a narrow silver fringe. White kid gloves. Fan of ivory, decorated with coloured feathers. Lemon-coloured or white scarf, with rich embroidered ends of gold and coloured silks.  Hmm—another color confusion there, as that is definitely a blue scarf!


Tassels seem to be the thing for 1813, as here’s another Morning Walking Dress featuring a mantle adorned with them. Her bonnet, of a slightly wider, flatter shape is quite fetching too. And notice the ring around the top of her parasol, to help keep it closed when it’s furled. (July)


August’s stunning Evening Dress has an interesting description: “THE VITTORIA OR WELLINGTON COSTUME, FOR EVENING DRESS, is composed of Venetian crape, placed over a white satin underdress; a treble row of shell-scalloped lace ornaments the feet, above which is seen a border of variegated laurel. A bodice and Circassian top sleeve of Pomona green satin; the bosom interspersed with shell-scalloped lace, and correspondently ornamented. Shoulders, back, and bosom much exposed. Hair in dishevelled curls, with variegated laurel band in front, and a transparent Brussels veil thrown across the back of the head, and descending irregularly over the back and shoulders. A chain and cross of pale amber earrings, [sic] and bracelets of pearl. Slippers of white satin; gloves of French kid; and fan of carved ivory.  The name of the dress is presumably  in honor of Wellington’s June victory over Joseph Bonaparte and Marshal Jourdan in the Battle of Vittoria, a victory that would prove decisive in the Peninsular War and pave the way for the coming invasion of France itself.


Also for August (and covering a great deal more than the previous dress) is this Morning or Domestic Costume, consisting of “A petticoat of jaconot or cambric muslin; with a Cossack coat, or three-quartered pelisse, of lemon-coloured sarsnet, with Vandyke Spanish border of a deeper shade. Full sleeves, confined at the waist with a broad elastic gold bracelet; confined, also, at the bottom of the waist, with a ribband en suite. Foundling cap of lace, with full double border in front, confined under the chin with a ribband the colour of the pelisse, and tied on one side; a bunch of variegated carnations placed on the left side. Gloves and Roman slippers of lemon-coloured kid.” I’m not quite sure why the pelisse is not tinted yellow, as her slippers just peeking out from under her gown are.


This Evening Costume from September has a very interesting sleeve and bodice treatment, don’t you think?  And the bust was definitely emphasized in most of the evening dresses we’ve seen this year. I wonder if the lace veil was pinned into her hair, or left loose so that it could be used as a scarf if the night was chilly?


Finishing off 1813 is this Morning Dress from November, “A fine cambric or jaconot muslin round robe, a walking length, with round bosom, a demi height; long sleeves, and shirt, with deep fan frill of vandyke lace: the dress ornamented at the bottom, to correspond. A spencer of Peruvian green velvet or satin, with Spanish slashed sleeves, and deep cuffs of vandyke lace, to correspond with the frill of the shirt, which rises above the spencer, confined at the throat with a pearl or other suitable broach, from which are suspended tassels and cord. The spencer appears unconfined in front, and is lined with white satin, decorated with small cord and buttons. The hair disposed à la Madona, flowing in loose curls on the crown of the head, a small spring of barberry in front. The Swedish slouch hat is worn with this dress in the out-door costume: it is composed of the same material as the spencer, lined with white satin, and ornamented with a curled ostrich feather. Half-boots of velvet, or kid, the colour of the spencer. Gloves, a pale lemon color.”  I do wish we could have seen the hat, and gotten the full effect of this charming costume!


And that wraps up 1813...what dress do you think you would have liked the best?